She raps about Micheal’s large penis using the metaphor of an Anaconda. Nicki Minaj’s song Anaconda (2014), has two verses that tell brief tales of her having sex with two guys, Troy and Micheal, in her automobile. By critically analyzing these songs and videos through the lens of hip-hop feminism we can see that elements of her music are empowering while others are detrimental and insensitive. Which begs the question, when is female rap subversive in nature and beneficial and when is it detrimental? Nicki Minaj’s popular songs and music videos, Anaconda, Only, and Feeling Myself offer insights into the complexity of this question. Although the logic behind reclamation of agency is sound, there is still considerable backlash from respectability politics. Thus, Hip-Hop feminism aims to reclaim Black women’s sexual agency. In this system, a false narrative has been created in which “black and brown bodies have been historically configured as excessive, with unrestrained desires” (Durham et al. Politics of respectability have been used by African American Women as a way to progress in the face of oppression by appealing to systems of power that are in place, i.e. Furthermore, there is a tangible clash between respectability politics and hip-hop feminism. Nicki Minaj’s songs and lyrics emulate hip-hop feminism as it functions in this percussive fashion. Durham argues that Hip-hop feminism is considered a percussive form of feminism in that it is both disruptive and generative. Which is defined as “a cultural, intellectual, and political movement grounded in the situated knowledge of women of color (who)… challenge, resist, and mobilize collectives to dismantle systems of exploitation” (Durham et al., pg. Her unapologetic lyrics offer us insight into the world of hip-hop feminism. Nick Minaj has become one of the most influential female rappers of the 21st century.
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